内容来源：https://www.theverge.com/entertainment/877244/good-luck-have-fun-dont-die-review

内容总结：

近日，一部名为《祝你好运，玩得开心，别死》的科幻电影引发关注。该片由导演戈尔·维宾斯基执导，以荒诞寓言的形式，对当下社会沉迷数字设备的现象及人工智能的激进发展提出深刻反思。

影片讲述一位自称来自未来的男子闯入洛杉矶一家小餐馆，试图招募食客共同阻止人工智能毁灭人类的故事。在未来的设定中，幸存人类已转入地下生存，而现实世界的人们却终日被手机屏幕绑架——无论是令人焦虑的新闻推送，还是使人麻木的短视频流。电影通过时间旅行、机器人战斗等科幻元素，将当代人对科技发展的隐忧具象化：当社会不断鼓吹拥抱新技术时，我们是否已丧失对数字成瘾的警惕？

维宾斯基通过多线叙事展现不同角色与科技的矛盾关系：有教师目睹学生被手机信号催眠的恐怖场景，也有女性因对Wi-Fi信号过敏而难以融入社会。影片以视觉上的躁动感呼应科技过度刺激带来的精神危机，又在某些场景刻意放缓节奏，揭示当下世界早已存在的异化与失能。

尽管剧情偶尔显得庞杂，但这部暌违九年的导演新作仍以狂想曲般的锐气，对“屏幕奴隶”时代发出警世寓言。当好莱坞纷纷拥抱生成式AI浪潮时，这部电影以胸口绑着炸弹的时空旅人之口，发出了不一样的疾呼。影片将于2月13日在北美院线上映。

中文翻译：

我们都有过这样的时刻：本该做正事，却忍不住掏出手机，在令人焦虑的新闻标题或麻木心智的视频中无尽滑动。明知这样不好，却难以抗拒——毕竟我们的生活与工作早已与电子设备密不可分。尽管我们都清楚减少屏幕时间对身心有益，但这个高度网络化的社会却从未真正鼓励这种健康行为。

《祝你好运，玩得开心，别死掉》正是针对当下科技现状的一则荒诞寓言。戈尔·维宾斯基这部新作，精准刺中了社会对人工智能浪潮感到不安的核心症结。

这些似曾相识的焦虑在戈尔·维宾斯基执导的新科幻片《祝你好运，玩得开心，别死掉》中交织呈现。影片讲述了一个男人为拯救人类免于被机器统治的末世未来而孤注一掷的故事。虽然时空穿越、对抗机器人的设定难免让人联想到《终结者》与《黑客帝国》系列，但本片以更奇诡荒诞的笔触，探索着我们对人工智能的深层恐惧。

影片试图以喜剧方式揭示未来社会崩坏如何根植于当下人们对屏幕的沉迷，某些段落稍显生硬。然而无论剧情如何癫狂，它始终直指这个时代的痛点——我们不断被无脑内容轰炸，同时又被推着盲目接纳新技术。

故事主要发生在当下的洛杉矶。一位自称来自未来的无名男子（萨姆·洛克威尔饰，充满惊人魅力）闯入一家小餐馆劫持众人，试图说服顾客加入他阻止AI成为不可阻挡威胁的行动。在他的现实里，残存的人类已转入地下。起初无人相信他的疯言疯语，直到他猛地扯开那件用胶带拼凑、形同垃圾的自制时空穿越服，并宣称身上绑满炸药时，人们才开始认真对待。

尽管影片以荒诞闹剧的方式引出这位饱经沧桑的主角，但随着镜头窥探他试图招募的潜在人选的生活，叙事节奏不断变换。当闪回至教师珍妮特（扎威·阿什顿饰）与马克（迈克尔·佩尼亚饰）被困学校的场景时——全校学生皆被手机发出的诡异信号催眠——影片弥漫着B级恐怖片的气息。而英格丽德（海莉·露·理查森饰）的故事线则更贴近现实困境：这位因对Wi-Fi信号过敏而屡屡失业的女性，其生活片段为影片注入了细腻的情感张力。

尽管这位未来来客已数十次穿越到这家餐馆，他仍不确定哪几个人才是正确组合。正因他对众人生活细节了如指掌，部分人才开始相信他或许所言非虚。虽然无人完全信任他，但刚经历重大丧痛的母亲苏珊（朱诺·坦普尔饰）隐约感到，他的预言与每个人正在面对的人生困境息息相关。

马修·罗宾逊的剧本稍显庞杂，但影片采用《罗生门》式的多视角叙事来铺陈宏大的故事背景，这为维宾斯基（其上部作品《救命解药》已是九年前）提供了充分的导演风格实验空间。他常运用视觉上的躁动感来呼应未来之人的生理性颤抖，同时折射出影片关于科技过度刺激危害的核心思考。这种能量在那些涉及生成式AI垃圾产物的荒诞动作场景中尤为突出。但影片最有力的时刻，恰恰是维宾斯基放缓镜头，让我们看清这个世界在当下已变得何等怪异失常。

即便《祝你好运，玩得开心，别死掉》在情节编织上偶有磕绊，它仍是一场充满灵感的狂野之旅，试图对2026年那种坠入深渊的生活体验进行多维度诠释。当好莱坞正竭力鼓吹生成式AI议程时，能看到有人如此急切地警告危机降临——哪怕他胸口绑着炸药——也足以令人宽慰。

本片还汇集了阿西姆·乔杜里、汤姆·泰勒、里卡多·德雷顿、迪诺·费彻、安娜·阿克顿、丹尼尔·巴尼特、多米尼克·马赫、亚当·伯顿及乔治娅·古德曼等演员。影片将于2月13日登陆院线。

英文来源：

We are all guilty of pulling out our phones and doomscrolling through stressful headlines or mindnumbing videos when we should be doing anything else. We know it’s bad, but we still do it because it’s hard to resist when much of our time is spent living and working on our devices. And even though we understand that we’d be better off with less screen time, our extremely online society doesn’t exactly encourage that kind of healthy behavior.
Good Luck, Have Fun, Don’t Die is a rollicking parable about this moment in tech
Gore Verbinski’s latest film gets at the heart of everything that makes society feel poisoned about the big push for AI.
Good Luck, Have Fun, Don’t Die is a rollicking parable about this moment in tech
Gore Verbinski’s latest film gets at the heart of everything that makes society feel poisoned about the big push for AI.
These are some of the familiar ideas at work in Good Luck, Have Fun, Don’t Die, director Gore Verbinski’s new sci-fi film about a man’s desperate fight to save humanity from an apocalyptic future where machines have taken over the world. Though the movie’s time-travelling, robot-fighting premise immediately calls the Terminator and Matrix franchises to mind, Good Luck, Have Fun, Don’t Die is a much weirder and more whimsical exploration of our anxieties about artificial intelligence.
At times, the film stumbles as it tries to comedically articulate all the ways in which tomorrow’s societal collapse can be traced back to our present day screen addictions. But as unhinged as Good Luck’s story becomes, it speaks directly to our present moment, constantly being bombarded with brain-smoothing content while being pushed to unthinkingly adopt new technology.
Set largely in present day Los Angeles, Good Luck follows an unnamed man claiming to be from the future (a surprisingly magnetic Sam Rockwell) as he holds up a diner and tries to convince its patrons to join him on a quest to prevent AI from becoming an unstoppable threat. In the time traveler’s reality, what’s left of humanity has gone into hiding. At first, no one in the diner puts much stock in the man’s ravings. But they all start taking him more seriously when he flings open his homemade time travel suit — which looks like a bunch of garbage he’s taped together — and tells them he’s wired himself with explosives.
Though there is a madcap zaniness to the way Good Luck, Have Fun, Don’t Die introduces its world-weary protagonist, the movie repeatedly shifts gears as it peeks into the lives of the people he hopes are the right individuals to recruit to his cause. The film feels like a C-tier horror when it flashes back to the day that teachers Janet (Zazie Beetz) and Mark (Michael Peña) have had while trapped in a school full of students who become hypnotized by a strange signal emanating from their phones. But the menacing vibes are much more grounded by relationship drama when we’re given a glimpse into the life of Ingrid (Haley Lu Richardson), a woman who struggles to keep a job because of her unusual allergy to Wi-Fi signals.
Despite having made his trip into the past to that specific diner dozens of times, the man from the future isn’t entirely certain which combination of people is the right one. It’s only because he already knows so many details about them all that some of the people start to believe that he might be telling the truth. And while none of them are fully certain that the man can be trusted, Susan (Juno Temple) — a mother who has recently gone through a devastating loss — has a feeling that the things he’s saying tie directly into the personal challenges they’ve all been dealing with.
Matthew Robinson’s script has a tendency to get a little overbusy, but the film’s Rashomon-like approach to unveiling its larger story gives Verbinski — whose last film, A Cure For Wellness, premiered nine years ago — ample space to play around with his directorial style. He often leans into a visual hyperactiveness that echoes the future man’s physical jitteriness and reflects the film’s ideas about the dangers of being hyperstimulated by technology. That energy works especially well during some of Good Luck’s more batshit action sequences involving creatures that look like indictments of gen AI slop. But the movie’s most effective scenes come when Verbinski slows his camera down to give us a good look at just how strange and dysfunctional this world already is in the present.
Even when Good Luck, Have Fun, Don’t Die is tripping over its own feet to weave its plots together, the movie is an inspired joyride that’s trying to say a little bit about everything that makes life in 2026 feel like we’re hurtling into an abyss. And in this moment when Hollywood is rushing to get everyone to embrace the gen AI agenda, it’s a relief to see someone tell us the sky is falling with urgency, even if he’s got a bomb strapped to his chest.
Good Luck, Have Fun, Don’t Die also stars Asim Chaudhry, Tom Taylor, Riccardo Drayton, Dino Fetscher, Anna Acton, Daniel Barnett, Dominique Maher, Adam Burton, and Georgia Goodman. The movie hits theaters on February 13th.